• Home
  • Search
  • Browse Collections
  • My Account
  • About
  • DC Network Digital Commons Network™
Skip to main content
  • Home
  • About
  • FAQ
  • My Account
Digital Commons @ Gardner-Webb University Gardner-Webb University

Home > John R. Dover Memorial Library > The Etude

The Etude Magazine: 1883-1957

 

Etude Magazine was published by Theodore Presser Company between 1883 and 1957. It was a staple for music teachers throughout the country, providing articles related to music history, new developments in music, and practical teaching techniques, as well as musical scores from the classics and new pieces for beginning to advanced students. Begun as an aid for piano teachers, the magazine grew to include information and literature for vocal and instrumental enthusiasts as well. Not only is the series important to the musician, but it provides an insight into the culture itself, including the impact of the development of the car, radio, and television, and expands to world music and the influence of world wars on that culture.

This offering of searchable .pdf scans of the Etude Magazine is made available by Dr. Pam Dennis of Gardner-Webb University. These scans are to be used for research only and are not to be reproduced. Attribution should be given to this website and to its compiler, when using for research. These issues are available under permission from the Theodore Presser Company as they appeared in Etude Magazine.

Dr. Pam Dennis's Index to the articles published in the Etude magazine, 1883-1957: Part 1 and Part 2 are available in the Gardner-Webb Faculty and Staff Book Gallery.
Printing is not supported at the primary Gallery Thumbnail page. Please first navigate to a specific Image before printing.

Follow

Switch View to Grid View Slideshow
 
  • Volume 35, Number 04 (April 1917) by James Francis Cooke

    Volume 35, Number 04 (April 1917)

    James Francis Cooke

    New Aspects of the Art of Music (interview with Thomas A. Edison)

    Simple Psychological Helps in Music Teaching

    Haydn's Amusing Tribute to a Faithful Dog

    Vital Phases of Piano Technic

    Value of Historical Knowledge in the Appreciation of Music

    Snap Shots in a Musical Library

    Irish Folk Song that Aids Interpretation

    Difficult Pronunciations

    Carmen: Arranged for Presentation in Reading Form at Musical Clubs

    Expanding the Small Hand

    Beethoven to Czerny

    Getting Pupils through Printers' Ink: A Practical Advertising Man Talks

    Rare Musical Facts

    Syncopated Biographies: Musical Life Stories Pleasantly Told

    Exercises for Developing the Hands for Piano Touch and Technic

    Eyes, Ears and Finger Tips

    Brahms as a Man and as a Friend: New and Intensely Interesting Human Aspects of the Great Master

    Walking Down the Keyboard

    Favorite Flat

    Composer: A Powerful and Fascinating Romance of Modern Musical Life

    Etude Master Study Page: Famous Women Composers

    Five Essentials of Real Practice

    Rests in Music—Positive or Negative

    Grand Opera of Other Days

    Collecting a Music Library

    Right Way to Select Teaching Pieces

    Beware of Borrowing Music

  • Volume 35, Number 05 (May 1917) by James Francis Cooke

    Volume 35, Number 05 (May 1917)

    James Francis Cooke

    Symphony Orchestras in the United States

    Memorable Performance

    Certainly, I'll Play!

    How Staccato Practice Puts a Snap in Playing

    Symphony Orchestra and the Concert Band

    How Beethoven Spiritualized Musical Form

    Is the Symphony Played Out?

    Two Brilliant American Composers

    Aids to Good Timekeeping

    Concise Dictionary of Noted Symphonic Composers

    Richard Wagner as a Symphonist

    New Scale Fingerings

    Rise of the American Symphony

    Does Teaching Make You Nervous?

    Fifteen Vital Steps in Teaching Young Children

    Have You a Self-Starter?

    Scales and Baseball

    Final Steps in Memorizing

    How to Start a Local Symphony Orchestra

    How Much Did You Practice?

    Colored Pencils in Piano Teaching

    Difficult Pronunciations

    Composer: A Powerful and Fascinating Romance of Modern Musical Life

    Future of the Symphony: Eminent Leaders Give their Opinions Upon an Important Subject

    How Music Helps Us Stand the Strain of Every-day Life

    Selecting the First Piece

    Haydn's Court Behavior

  • Volume 35, Number 06 (June 1917) by James Francis Cooke

    Volume 35, Number 06 (June 1917)

    James Francis Cooke

    Freak Minds in Modern Music

    Keep a Journal

    How to Go About Sight-Reading

    Saving Time in Practice

    Idealism in Music Study (interview with Teresa Carreño)

    Yesterday and To-day

    What Pieces?

    From Finger-Tips to Shoulder

    Why Advanced Pupils Lose Inspiration

    Acquiring Accuracy in Musical Terms: Correct Definitions and Right Applications

    Musical Curiosity

    Review Week

    Why Not a Daily Song Hour

    Scale Contest

    Art and Common Sense in Accompanying

    Accelerando

    Closing Address

    Watch Your Hands

    Names of Musicians Phonetically Pronounced

    What Every Music Student Should Know About Phrasing

    Nine Fundamental Divisions of Daily Practice

    Symphony: Its Chief Characteristics and How to Recognize Them

    Are You in This Rut?

    Let the Pupil Solve His Own Problems

    Preparing for Pupils' Recitals

    Famous Musical Pioneers

    Composer: A Powerful and Fascinating Romance of Modern Musical Life

    Two-Piano Playing an Incentive

    Brusqueness of Brahms

    How Mother and Teacher May Work Together

    Muscle Strength in Piano Playing

    Antics of Anti-Bellum Virtuosi

    Getting the Most Out of a Musical Magazine

    Hieland Laddie: An Analysis of Mr. Perry's Compsotion in This issue of The Etude

    Developing Absolute Pitch

    Lucky Stars of Opera Stars

    American Grand Operas

    One Opera Composers

  • Volume 35, Number 07 (July 1917) by James Francis Cooke

    Volume 35, Number 07 (July 1917)

    James Francis Cooke

    How to Get Control of Your Nerves

    Jenny Lind, The Incomparable

    Key to Success

    Discord of Sweet Sounds

    To Avoid Scratching in Violin Playing

    Thoroughness in Operatic Preparation (interview with Frieda Hempel)

    Let Your Piece Sing to You

    Accuracy in Piano Playing—How to Teach it to Children

    Controlled Relaxation

    Why Should My Boy Study Music?

    Electrical Music

    Practical Steps in Tone Production: How the Player's Tone May be Enriched and Developed

    Pianograms

    Head, Heart and Head

    High Lights in the Life of Handel—Significant and Interesting Human and Professional Characteristics of the Composer of the Messiah

    How to Use The Etude's Educational Supplement

    Making Harmony Interesting

    Shorter Lessons: Better Prepared

    Familiar Forms

    Developing Some Vital Points in Technic Through the Study of a Piece

    Theme and What Can be Done With It

    Misjudging Student Capabilities

    Interesting Reminiscences of John Field the Creator of the Nocturne

    On the Whole Tone Scale

    Practice Record Contest

    How to Organize and Conduct a Local Music Teachers' Association

    Bach's Inspiration

    Syncopated Biographies—Music Masters Pleasantly Described

    Middle-Aged Beginner

    How Long Shall I Practice? A Discussion of Five-Finger Exercises and Finger Dexterity from the Physiological Standpoint, Showing How Some Great Pianists Keep up a Virtuoso Technic with only a Few Hours' Daily Work

    Adapting Your Playing to the Audience

    Value of Organ Transcriptions

    Fame Versus Thoroughness

    Extemporaize Every Day

    Mendelssohn's Helpmeet

    When the Pupil Doesn't Come

  • Volume 35, Number 08 (August 1917) by James Francis Cooke

    Volume 35, Number 08 (August 1917)

    James Francis Cooke

    Real Accomplishments

    Simple Cure for Stage-Fright

    How to Regain Your Technic

    Paths to an American National School of Music (interview with Reginald de Koven)507

    Bracelet of Fifths

    Getting the Most from Five-finger Exercises

    Sharp Major Scale Signature

    How the Masters Sought Humor in Music

    Echo Exercise

    Spasmodic Performance

    Up-to-Date Points from an Up-to-Date Teacher

    How Can We Do Our Bit?

    New Material and New Methods in Musical Composition

    Non Plus Ultra

    Playing Close to the Keys Versus the High Finger Stroke

    Teresa Carreño (obituary)

    High School Credits in Texas

    How Shall I Play Phrases Properly?—With Special Illustrations Taken from Modern Editions of Beethoven's Sonatas

    In Defense of Versatility

    Curious Facts in Musical History

    Practical Pointers for Parents

    Four Reasons Why You Should Study in the Summer

    Shall Pupils Imitate?

    Etude Master Study Page: A Group of French Composers

    Feeling Time-Pulses

    Simple Way to Teach Transposing

    Mary Gail Clark

    Do Not Teach Too Soon

    Help for Weak Finger-Joints

    Why Some Gifted Experienced Teachers Fail

    When the Honeymoon is Over

  • Volume 35, Number 09 (September 1917) by James Francis Cooke

    Volume 35, Number 09 (September 1917)

    James Francis Cooke

    Four Good Reasons Why Musicians Do Not Succeed

    Lack of Concentration

    Goals in Scale Playing

    How I Regained a Lost Voice: A Practical Experience in Voice Placing (interview with Evan Williams)

    How to Increase the Music Class: Approved Methods Employed by Leading Teachers in Securing New Pupils Through Dignified, Legitimate Means

    Business Principles for the Musician

    Musical Setting

    La Marseillaise

    Animated Touch

    Notes on Piano Playing to Teachers of Children

    Learning Music in the Most Rapid, Thorough and Scientific Manner: Important Psychological Principles Deduced from Thousands of Laboratory Experiments Made Simple and Practical for Music Students and Music Teachers

    Musician's Red Cross Unit: A Splendid Work Which All American Music Workers Should Earnestly Support

    Movement Toward an American National Conservatory of Music

    Music Before the Time of Caesar

    Alberti Bass

    Positions of the Players in Duets

    High Lights in the Life of Chopin

    Plan to Increase Practice

    Training Yourself to Remember Music

    Famous Arrangement of Musical Works

    Swan Song of the Red Man

    Keeping Up with the Times

    Innovations of Franz Liszt

    Teachers' Round Table

    Practicing with Closed Eyes

    Making the Metronome Help

    Henry Parker (Obituary)

    Simplifying Scale Technic

    Exercises and Exercises

  • Volume 35, Number 10 (October 1917) by James Francis Cooke

    Volume 35, Number 10 (October 1917)

    James Francis Cooke

    Just What Syncopation is

    Value of Polyphonic Playing

    Greater Results With Less Effort

    How to Interest Unmusical People in Music

    Some Elementary Truths in Song Interpretation

    Curiosities of Notation

    Tension and Relaxation in Pianoforte Playing

    How We Got the Flat and the Natural

    Remarkable Cures of Melancholia Through Music

    Etude Master Study Page: A Group of Modern English Composers

    Mysteries of Music

    How to Help Your Pupil to Remember Your Corrections

    Value of Versatility in Teaching

    Seek Clearness of Musical Outline

    How to Get Artistic Effects in Touch: Staccato, Legato and Marcato

    Story of the Magic Fire Music

    Good Taste of Audiences

    Interpretation Is Not Merely Performance

    Musical Inventory

    Home Teaching

    Common-Sense View of Hand Position at the Piano

    Music in Merrie England

    What Makes Hungarian Music Interesting?

  • Volume 35, Number 11 (November 1917) by James Francis Cooke

    Volume 35, Number 11 (November 1917)

    James Francis Cooke

    Cure for Musical Pessimism

    Simplifying Counting

    Why Not Encourage Everyone to Play?

    Nervousness in Public Performance and How to Overcome It

    Practical Thoughts on Modern Pianoforte Study

    Two Ways of Using the Metronome

    Some Foundation Principles of Piano Technic, Which May Be Applied to Any Method

    Economy of Time at Lessons

    Keeping the Brain Strong and Fit

    How to Judge a New Piece

    High Lights from a Musical Convention: Extracts from Important Addresses Made at the Last Convention of the Music Teachers' National Association

    How to Keep Your Piano in Playable Condition

    Some Essential Points in Beautiful Playing and How to Attain Them

    Five-Four Time a Century Ago

    Amateur's Repertoire

    Review Day

    Brahms as a Man and a Friend

    Missing Links in Music Study

    Are You Standing Still, Sliding Backward or Going Ahead?

    An Interesting Musical Embellishment: The Slide and How It Should Be Played

    Position, Breathing and Poise for Pianists

    Nature's Music

    Inflection in Music

    Avoiding Deafness

    Masters at Play

    Muscular Alertness

    Negro in the World of Music

    Get to Work

    Dealing with the Ragtime Fad

  • Volume 35, Number 12 (December 1917) by James Francis Cooke

    Volume 35, Number 12 (December 1917)

    James Francis Cooke

    Automatic Faculty in Piano Playing

    How to Attain Freedom of the Fingers

    Mass of Christ

    Footlight Fear and Fever

    Important Steps in the Educational Work of an Opera Singer

    Three Measure Rhythm

    Christmas Carols

    Reading Detached Chords

    Are the Black Keys Poisonous to the Thumb?

    Time to Rest and a Time to Grow

    Musical Reputations and How They are Achieved

    Is Compulsory Music Study Advisable?

    Successful Study of Octaves

    Can You Pass This Normal Test?

    Some Pianos I Have Known

    Practice Individual Tones in a Chord

    Beethoven's Characteristics as a Pianist

    How to Study Two Against Three

    Pianographs

    Hints on Touch and Tone

    Morale of a Real Musical Family

    High Lights in the Life of Verdi: Interestng Aspects in the Career of the Great Italian Master

    Are You Shy at Your Lessons

    Verdi as a Farmer

    Two Lessons a Week

    Mme. Chaminade Doing Her Bit

    Minuet That Can Be Played Backward

    Responsiveness

    Master Lesson—Robert Schumann's Famous Song, The Two Grenadiers

    When Pupils Stumble

    Stories of Italian Masters

    Beware of Swindlers and Fake Organizers

    American Singers' Ambulance in Italy

    Music Teachers' National Assocaition

    What Becomes of the Old Piece?

    Are You One?

  • Volume 34, Number 01 (January 1916) by James Francis Cooke

    Volume 34, Number 01 (January 1916)

    James Francis Cooke

    Preparing for the Virtuoso's Career

    Chopin in Fiction

    Chopiniana: Chopin's Character, Temperament and Art Etched in Interesting Facts from

    Music in the Danish Capital

    Aid to Sight Reading

    On the Gentle Art of Advertising

    Arm-Control in Piano Playing

    Don'ts for the Mothers of Music Pupils

    Letting the Pupil Select Music

    Should a Teacher Evolve His Own Method, or Use That of His Instructor?

    How to Gain Power, Sweetness and Expression in Singing

    Matter of American Musical Atmosphere

    Practical Ideas in a Nutshell

    Wisdom of Leschetizky: Statements from His Personal Expressions on Pianoforte Playing

    Have I Musical Talent?

    Use of the Pedal for Legato Chords

    Musicians and Good Behavior

    Handel and the Cries of the Street

    Wrong Enthusiasm

    Gloria's Great Chance

    How Can I Learn to Play for High Class Moving Pictures in the Shortest Possible Time?

    Frank Howard Warner

    Horace Clark

    Irénée Bergé

    Family Life of Robert and Clara Schumann

    Two Stories of Carl Goldmark

  • Volume 34, Number 02 (February 1916) by James Francis Cooke

    Volume 34, Number 02 (February 1916)

    James Francis Cooke

    Happy Side of Music Teaching

    Blind Handel and His Blind Helper

    Piano Subito

    You and the Other Teacher

    Elementary Study of Pianoforte Technic

    Teacher's Nerve Destroyers

    Hands and the Pianist

    Away from the Piano

    Science of Pianoforte Practice

    Establishing a Definite Technic

    Single Little Mistake

    Leisure Hour Facts for Music Workers

    What is Expected of the Accompanist?

    Foundation of Smooth Scale Playing

    Practicing Backward

    Musical Facts for Spare Moments

    Early Drill in Sight Reading

    Ten Points in Extemporization

    Place of the Nocturne in Musical Art

    Pertinent Questions for Conscientious Teachers

    Interesting Facts About Finnish Music

    When Should I Practice?

    Three Great Masters at the Keyboard: Mozart, Beethoven, Mendelssohn

    Too Much Repetition in Practice Injurious

    Standardization in Different States: Plans Worked Out by Active Teachers' Organizations

    When George Washington Went to the Opera

    Some Points to Remember in Playing Old-Time Music

    Teach Living Musical History

  • Volume 34, Number 03 (March 1916) by James Francis Cooke

    Volume 34, Number 03 (March 1916)

    James Francis Cooke

    Radical Methods in Modern Pianoforte Study

    Remarkable Pianoforte Arrangements of Franz Liszt

    Artistic Origin of Mendelssohn's Songs Without Words

    Liszt in Fiction: A Romance in Which the Great Pianist is the Central Figure

    Practicing with One Hand

    Shakespeare's Music the World Over

    Clara Schumann's Debt to Johannes Brahms

    Muscular Mastery of the Keyboard

    Every One Can Memorize Music: That is, if Everyone Will Work Hard Enough, Long Enough and in the Right Way

    Thoroughness in Memorizing Music

    Misleading Musical History

    Sibelius and the Music of Modern Finland

    Teaching Pupils the Musical Alphabet

    Nervousness versus Karma: A Much-Needed Parable for Timid Performers

    Experience or the Big Name—Which?

    Penalty for Missed Lessons

    Spur of Competition

    Prospect and Retrospect: A Critical Survey of To-day and Yesterday in Music

    Helpful Ideas in a Nutshell

    Sentiment and Sentimentality

    Credits for Musical Work in Our Public Schools

    Kansas Study Credit Plan

    Ten Commandments for Young Composers

    Blindness of Bach

    Why Do I Not Get Along Faster?

    Pianos I Have Known

    Sir George Grove on Schubert's Appearance

    Some Facts and Fallacies in Vocal Study

    Head Resonance

    Encouraging Song in the Home

    Did Opera Have a Religious Foundation?

    Surgical Operations

    Handel's Comic Opera

  • Volume 34, Number 04 (April 1916) by James Francis Cooke

    Volume 34, Number 04 (April 1916)

    James Francis Cooke

    Practical Studies in Advanced Technic

    Spirit of the Piece

    Practical Ideas in Teaching, Culled from a Famous Authority

    Flush of Nervousness

    Marvels of Sound: Some Wonders of Acoustics with Which Music Lovers Should be Familiar

    Sound Facts for Busy Readers

    Universality in Piano Teaching Methods

    Developing Musical Volume of Tone

    One Way of Getting More Pupils

    Monotone

    Musical Day in Nature: A Lecture Recital Program for Students and Teachers

    Working Creed for the Music Teacher

    Plan for the Systematic Review of Old Pieces

    What To Do When a Teacher Cannot Be Had

    History of Notation and the Young Student

    Holding the Child's Attention

    Style in Pianoforte Playing: Some Interpretative Ideas That May be Gained from Musical History

    Ten Foundation Stones of Practice

    Music of Our South

    How to Make Distant Skips and Come Down on the Right Key Every Time

    Rural Summer Class

    That Practice Hour

    Famous Composers as Conductors

    Music the Flower of History

    Ancient Glory of Hebrew Music

  • Volume 34, Number 05 (May 1916) by James Francis Cooke

    Volume 34, Number 05 (May 1916)

    James Francis Cooke

    Sanity and Insanity in Modern Musical Composition

    Classified List of Some Futurist and Modernist Composers

    Will the Music of Ultra-Modernists Survive? A Symposium by Eminent Musicians

    Some Examples of Cubist Art by Recognized Futurists

    Thoroughness in Hungarian Music Study

    Talented Pupil Who Wastes His Time

    Redundant Practice

    Efficiency Principle in Piano Study

    How Edward Grieg Found Success

    Boundaries of Beauty in Musical Art

    Three Trinities in Music

    Firsts in American Musical History

    How to Play Thirds and Sixths—A Study in Advanced Technic

    Facts About Bach's Well-Tempered Clavichord

    Use Musical Terms Precisely

    Rebuilding on Old Foundations

    Creoles and their Music

    How to Make a Ritard (Ritardando)

    Remedy for Nervous, Tired Teachers

    Curious Facts About Music

    Futuristic Music of To-day: What It is Made of and What Its Aim Is

    Shakespearian Opera

    Modern and Universal Impulses in Music

  • Volume 34, Number 06 (June 1916) by James Francis Cooke

    Volume 34, Number 06 (June 1916)

    James Francis Cooke

    What the American Musical Public Needs (interview with Josef Stransky)

    Geography of Opera

    Correct Musical Diagnosis

    Tragic Ending of Enrique Granados

    Negro in the World of Music

    Can Poetic Playing and Singing Be Taught?

    Proper Age for Beginning Music

    Different Kinds of Touch the Student Should Master

    Story of the Piano in Pictures

    World Music of To-morrow: A Prospect of the Nature of Our Musical Progress Based Upon the Musical Tendencies of To-day

    Gift of Observation in Piano Study

    When Grandmother Taught Me Music

    Eye and the Ear: Shall the Student Learn to Play by Ear?

    Some Interesting Beginnings in American Music

    Reward Tickets for Music Lessons

    Pianoforte Arrangements of Great Masterpieces

    Why Good Sight Reading is Troublesome to Many Fine Players

    How to Get a Good Legato Touch in Piano Playing

    Careful Development of the Hand

    Fair Play for the Bass

    New Systems and New Scales in Musical Art: How the Musical Futurists Procure New Effects

    Eisteddfod

    Finding a Market for Musical Ability

  • Volume 34, Number 07 (July 1916) by James Francis Cooke

    Volume 34, Number 07 (July 1916)

    James Francis Cooke

    Success Guides for Young Teachers

    Practice Hour Filled with Pleasure

    Part the Piano Should Play in Musical Education

    What Should be the Attitude of the Layman Toward Music

    Most Subtle Secret of Success

    Live Teacher—Am I One?

    Teaching the Use of the Bass Clef

    Practice the Hard Parts Separately

    Beginning at Both Ends

    Effect of Mechanical Instruments Upon Musical Education: A Symposium from Noted American Educators Upon a Question of Wide Significance

    Royal Performers on the Flute

    Real Meaning of Rhythm

    Useful Finger Exercise

    Discouraging the Pupil

    Can There Be Any Real New Music?

    How Parents Can Help

    First Requisites in Technic

    Proper Understanding of the Time-Signature

    Massenet, The Wit

    Few Things to Do

    Tone of the Piano

    Misplaced Bar Lines

    How Not to Teach the Piano

    Wagner as a Teacher

    Efficient Position at the Piano

    Strain of Hard Practice

    Music and Color

    Founders of the Danish School of Music

    Clean Keys

    Origin of Dixie

    Picking Out the Right Kind of a Piano

    Joy of Service

    Know Your Piano

  • Volume 34, Number 08 (August 1916) by James Francis Cooke

    Volume 34, Number 08 (August 1916)

    James Francis Cooke

    Musical Instruments of Mythology

    What Time Means to the Musician

    Some Facts About Rubinstein

    Was Liszt the Paganini of the Piano?

    More About American Musical Atmosphere

    Dr. Cornelius Rübner on American Musical Atmosphere

    Training of the Thumb in Pianoforte and Organ Playing

    Three Helpful Devices with Which Piano Students Should be Familiar

    Music in America During Revolutionary Times

    How One Mother Kept the Home Together

    Necessary Little Instrument for Every Piano

    Habit Formation in Relation to Pianoforte Playing

    Philadelphia Movement in Music

    Notation of Silence

    Systematize Children's Practice

    Curious Facts About Music

    Real Help for the Pupil

    Musical Memorizing To-day

    How to Develop a Chopin Technic

    Practical Tests in Memorizing

    Chopin's G Minor Nocturne: A Short Analysis of Opus 37, No. 1

    Expert Advice Regarding Your Piano

    French Critic's View of Debussy

  • Volume 34, Number 09 (September 1916) by James Francis Cooke

    Volume 34, Number 09 (September 1916)

    James Francis Cooke

    Stephen Foster's Versatility and Industry

    Talking Too Much

    Some Musical Signposts

    Personal Recollections of the Last Days of Stephen Foster

    Intimate View of Stephen Foster

    Sense of Rhythm

    Intelligent Training of the Thumb

    Find the Shortest, Quickest and Easiest Way to Do Things

    Spurring Up a Slow Pupil

    Stephen C. Foster's Romantic Career

    Music's Written Language

    How to Show Pupils the Advantages of Slow Practice

    Compounded Measures

    Popularizing Good Music

    Some Curious Musical Instruments Used by Savage Tribes

    Beauty and Originality in Haydn's Pianoforte Sonatas

    Generosity of Franz Liszt

    Two Great Musical Innovators, Liszt and Paganini

    Are You a Solomaniac?

    Forcing Children to Study

    Burns and Schubert—A Parallel

    Those Old Pieces

    Waste Motion in Finger Practice

    Music Study as an Investment

    Robert Schumann's Wedding Anniversary Gift

  • Volume 34, Number 10 (October 1916) by James Francis Cooke

    Volume 34, Number 10 (October 1916)

    James Francis Cooke

    Getting Results Through Right Practice: A Talk to Students

    Points to Remember in Sight Reading

    What's Wrong with My Piece

    Teacher and His Business

    Building of Music: A Practical Lesson in the Principles of Musical Form

    Self-Help Road to Success in Music

    Overcoming Stage Fright

    Common Sense in Pianoforte Touch and Technic

    Why Should I Study Theory

    Some Facts About Pitch

    Composer and the Organ Grinder: A Powerful and Fascinating Romance of Modern Musical Life

    What Every Student Should Know About Phrasing

    Learning to Depend Upon One's Self

    Honor to the Teacher

    George Noyes Rockwell

    Master Lesson—Mendelssohn's Scherzo in E Minor

    Facts About Our Keyboard

    Helps in Good Sight Reading

    Teachers' English

    Mendelssohn's Letters From Switzerland

  • Volume 34, Number 11 (November 1916) by James Francis Cooke

    Volume 34, Number 11 (November 1916)

    James Francis Cooke

    What the American Girl Should Know About an Operatic Career

    Last Days of Stephen Foster

    Half Hour of Daily Technic

    Useful Addition to the Gallery Collecton

    Superlative Importance of Tempo

    Some Interesting Musical Historical Facts

    Hundred-Dollar Lesson

    Difficult Pronunciations

    Scale Wheel

    Composer: A Powerful and Fascinating Romance of Modern Musical Life

    Great Composers and the Harp

    Study with Beads

    Studio Visiting Days

    Beethoven and the Blind Girl

    Learning a Piece by Forgetting It

    Musician's Worry Habit

    Master Lesson for Earnest Students on Mendelssohn's Charming Spinning Song

    What Kind of Music is Best?

    How Verdi Sought to Avoid Pomp Even in Death

    Some Facts About the Chopin Nocturnes

  • Volume 34, Number 12 (December 1916) by James Francis Cooke

    Volume 34, Number 12 (December 1916)

    James Francis Cooke

    Locating the Notes on the Keyboard

    Make Your Circular Hit the Mark

    Keeping the Voice in Prime Condition

    Some Truths about Touch and Tone

    Famous Legends of Famous Music: And Incidentally Some Famous Lies About Well-Known Pieces

    Beethoven's Appearance and Personality

    If I Had to Begin All Over Again: A Remarkably Interesting Symposium with Contributions from Distinguished Musicians

    What an Olden Time Bard Looked Like

    Composer: A Powerful and Fascinating Romance of Modern Musical Life849

    Tempo: The Ruling Force in Music

    Teaching Ideals of Three Master Violinists

    Teaching Expression to Children

    Danger in Tuning the Piano Too High

    Four Roads to Memorizing

    Master Lesson by a Famous Virtuoso: Chopin's Polonaise in C Sharp Minor Analyzed and Interpreted

    Fable of the Pupil, the Pianist, and the Pocketbook

    Some Facts About Our Favorite Operas

  • Volume 33, Number 01 (January 1915) by James Francis Cooke

    Volume 33, Number 01 (January 1915)

    James Francis Cooke

    Human Need for Music in Daily Life (interview with Walter Damrosch)

    Appreciation of Tone Quality

    When to Use the Pedal

    Mastering Irregular Rhythmic Groups

    Outlook for the Young American Composers (interview with Mrs. H.H.A. Beach)

    Stimulating Questions for Teachers

    Recent Notable Progress in American Music

    How Breadth of Training Helps the Teacher

    Ten Lesson Preliminaries

    Respect for Music Teachers

    Effect of the Great War on Music Here and Abroad

    What is a Practical Lesson

    How Classification Helps in Music Study

    Get the Musical Alphabet Down Pat

    Sir Charles Villiers Stanford's Recollections of Famous Musicians and Teachers

    Common Parental Mistake

    How Glazounow Composes

    Etude Master Study Page—Christoph Willibald Gluck

    Well Known Composers of To-day—Eugenio di Pirani

    Lost Motion in Music Practice

    Finding the Real Joy in Music

    Making Piano Practice Easier

  • Volume 33, Number 02 (February 1915) by James Francis Cooke

    Volume 33, Number 02 (February 1915)

    James Francis Cooke

    Instructive One Minute Paragraphs for Busy Music Workers

    Facts About Musical Belgium

    To Develop Pearly Runs

    Mendelssohn's Interested Listener

    Haydn, Dvorak and the Anglican Chant

    Masonic Symbolism in the Magic Flute

    Pair of Devices for Maintaining Interest

    How the Chinese Sang to their Ancestors

    Soul of Robert Schumann

    Breadth in Musical Art Work (interview with Ignace Jan Paderewski)

    Maintaining a High Standard of Efficiency

    Music of Proud and Chivalrous Poland: With Special Contributions from Mme. Marcella Sembrich and Leopold Stowski

    Beauty of Poland's National Music

    Chopin—Poland's National Poet

    Popular Fallacies Regarding Tone

    Concentration, the Secret of Progress in Music Study

    Zal: the Word that Expresses the Soul of Poland

    How Poland's Inspiriting Dances Have Enriched Musical Literature

    Chopin's Dream of Poland's Glorious Achievements

    Development of Music in Poland

    Profits of the Accompanist

    Pupil and the Artist-Teacher

    Common Faults in Pianoforte-Playing, and How to Correct Them

    Child's Seat at the Piano

    Magic Number—168: A Suggestion to Ambitious Teachers

    One of Your Teacher's Inconsistencies

    Master Lesson on Chopin's First Impromptu

    Mr. Stojowski's Analysitical Lesson on the Impromptu in A Flat

    How Liszt Arranged the Meeting of Chopin and George Sand

    Studying Music with the Spirit of Sport

    Correct Way

    Chopin's Last Tragic Moments

    Wagner's Selfish Autocracy

    Robert Browning's Superficial Musical Knowledge

    Magnificence of Liszt

    Milton's Love for Muisc

    Efficiency in Reading for Beginners

    Three Kinds of Waltzes

  • Volume 33, Number 03 (March 1915) by James Francis Cooke

    Volume 33, Number 03 (March 1915)

    James Francis Cooke

    John Milton, Composer

    Your List of Memorized Pieces

    Study of Studies Old and New: Observations upon Technical Elements of Style in Piano Playing

    Keep the Emotions Alive with Music

    New Educational System Attracting Wide Attention: Emile Jacques-Dalcroze and His Method of Rhythmic Development

    Musical Education in Poland Yesterday and To-day

    Making Play of Music Study

    What Music in the Public Schools Is Accomplishing!

    Architecture in Music: An Instructive Analogy between Music Building and House Building

    Gentle Art of Composition

    Once-in-a-While Lesson

    Short Cuts to Sight Reading

    Haydn and Marionette Music

    Etude Master Study Page—Weber

    Music in Wartime

    Power of Encouragement in Music

    Kind of Artistic Atmosphere to Avoid

    Classwork in the Rudiments of Music

    Master Lesson on the Schubert-Liszt Serenade

    America's Part in the Manufacture of Musical Instruments

    D'Indy's Tribute to César Franck

    Developing the Fourth and Fifth Fingers Through the Chromatic Scale

    Supporting Grand Opera

  • Volume 33, Number 04 (April 1915) by James Francis Cooke

    Volume 33, Number 04 (April 1915)

    James Francis Cooke

    Practical Ideas for Busy Music Workers

    Music a Human Necessity in Modern Life: Not a Needless Accomplishment (symposium)

    Making Music the Language of the Child

    How Schumann and Mendelssohn Regarded Poverty

    How Long Should We Practice?

    Don't Evade the Difficult Tasks

    Practice Materials Leading to a Complete Technic

    Influence of Music on the Body

    Simplicity of Success

    Rotary Arm Movement in Piano Playing: A Widely Accepted Technical Discovery of Dr. William Mason

    Brahms as a Pianist and as a Conductor

    Forgotten Belgian Composer

    Better Understanding of Tempo Rubato

    Musical Girl and The Vision, The

    Manifestations of the Composers' Characters in Their Music

    Economy of Movement in Piano Playing

    Value of Correct Fingering When Practically Applied

    Helping the Ordinary Pupil with Encouragement

    Can You Make the Piano Sing?

    Egotism, Eccentricities and Mannerisms Among Famous Musicians

    Successful Method of Memorizing

    Things to Remember about Your Piano

    Etude Master Study Page—Debussy

    Wonderful Touch of Adolf Henselt

    Humorous Side of Musical Examinations

    Why Memorizing is Necessary

    Music at the Arctic Circle

    Mystical Use of the Trumpet

    Rudyard Kipling on the Important of Music in War

    Odd Uses for Musical Instruments

    Bells of Belgium

    Does it Pay to Give Free Music Lessons?

    Greatest Symphony Ever Written

 

Page 20 of 36

  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
 
 

Browse

  • Collections
  • Disciplines
  • Authors

Search

Advanced Search

  • Notify me via email or RSS

Author Corner

  • Author FAQ

Links

  • Dover Library
  • Twitter
  • Facebook
 
Elsevier - Digital Commons

Home | About | FAQ | My Account | Accessibility Statement

Privacy Copyright